CYBERANGEL
2024Costume, Stage / Installation
“Winnie lives in her own universe on Tumblr under the nickname CYB3R_ANG3L_3. The endless data streams of cyberspace are the culture to which she connects her innermost being, her thoughts, feelings, and fears. After going through a painful experience, she spends her days between brain and bed rotting in her room. Cyberangel combines performance with multimedia installation and documents Winnie’s daily life in search of healing.”
Direction, Performance: Zelal Yeşilyurt
3D Animations: Lou Boettner, Berfîn Karakurt
Sounddesign: Fee Aviv Dubois
Mixing & Mastering: Jonathan Hamann
Dramaturgy: Anton August Dudda, Simon Meienreis
PHOTOS TBA
bless me t
(has anything happened yet?)
2023Installation, 60 x 100 cm
Silk, testogel container, various objects
Photos by Won Park, Ania Butenina
exhibited at
Too Much Is Never Enough @ Scherben, Berlin 2023
Transition Archives @ Culterim Backshop, Berlin 2023
The installation focuses on gender transition through transdermal self-medication. The piece explores the rituality of transitioning – questioning its political dimension, privacy and accessibility. The altar displays found personal objects closely tied to the reality and process of transitioning, inviting the viewer to a moment of public intimacy. You are invited to kneel.
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just a phase
(touch me gently)
2022
Manual punch needle piece, 95 x 65 cm
Yarn, cotton, metal chain
exhibited at
queering ~ costume @ Sonntags Club, Berlin 2022
Transition Archives @ Culterim Backshop, Berlin 2023
The textile piece juxtaposes the softness of cotton and the coldness of metal chains. Highlighting the process of becoming, the manual punch needle technique contrasts aggression and tenderness. You are invited to touch.
the cutest criticism
a loop
2021Performative Installation with live ASMR
Collab w/ Almitra Pyritidis, jpeg.love
Exhibited @ Napoleon Komplex Gallery, Berlin 2021
Curated by Constantin Hartenstein, Jimmy Robert
“We are queer because we refuse to take a fixed form.” (Antke Engel). “The cutest criticism” is a live ASMR performance on the inner critical voice. The costume is entirely handmade, thematizing the process of production: Hand-knitted pieces show how a person felt while knitting. In a relaxed state, the stitches are loose and soft. Being physically tense creates a tight, rigid pattern. When we are daydreaming, small bumps or holes show. A knitted piece thus works like a diary of mental health. The details of the costume also feature nostalgic elements such as glass beads or Fimo, referring to childhood moments within the safer space of play. Costume, body and installation merge into one sculpture.
Praying Mantis
2020Interactive durational performance, 3hours / 4days
PVC, fabric, metal chain, metal mesh, artificial hair, moss, yarn
Photos: Christina Huber, Alexandra Deem, Nikolaus Brade
exhibited at
Weltuntergang @ Display, Berlin 2020
KUNST RAUM STADT @ University of Arts, Berlin 2020
Curated by Constantin Hartenstein
After the apocalypse, the few species that have survived will start to live in symbiosis with each other to survive, rather than exploitation. From this state of being, a new ritualistic cult will arise. One member of this cult visits our present world, and invites you to a one-on-one ritualistic sequence.
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